Filmmaker Aditya Dhar, who directed Ranveer Singh in Dhurandhar, Kareena Kapoor, Kriti Sanon, Raveena Tandon have extended his warm wishes to Bollywood power couple Deepika Padukone and Ranveer Singh on the joyous arrival of their second daughter.
The Sheep Detectives is delightful and wholesome in the way family movies used to be before kids started getting too smart to be easily pleased, observes Deepa Gahlot.
Plot loopholes, unresolved arcs and feeble explanations for cruel betrayals, Kartavya's hastily wrapped conclusions and gabby excuses makes it look like a demo reel for a OTT series
Tuner may feel familiar, but its fab sound design, slickly edited heists and strong performances make it feel refreshingly sharp.
The Ministry of Information and Broadcasting has formed a three-member review committee to investigate the removal of the film "Satluj" from the ZEE5 OTT platform. The film, which depicts the life of activist Jaswant Singh Khalra during Punjab's turbulent 1990s, was briefly available before being taken down, sparking criticism from political parties and Sikh bodies.
Despite its uneven storytelling, Super Subbu deserves applause for turning India's discomfort with sex education into an entertaining, often insightful satire, notes Sreeju Sudhakaran.
Anurag Kashyap, despite his claims of being done with Bollywood, continues to deliver compelling cinema, with his latest film 'Bandar' set to release on June 5.
Before Awarapan 2 tests his comeback, we revisit the 10 films that made Emraan Hashmi the ultimate frontbencher favourite.
A nostalgic trip through Goa reveals the real locations, conversations and behind-the-scenes stories that shaped Drishyam: The Conclusion.
TVF's popular family series, Gullak, returns for a fifth season, offering a refreshing contrast to crime shows with its focus on the mundane crises of the Mishra family, who navigate new challenges like home renovations, Wi-Fi installation, and the arrival of opinionated relatives.
Ashwiny Iyer Tiwari's courtroom drama System falls short due to muddled narrative and uninspired execution, observes Sukanya Verma.
The Furious's jaw-dropping action scenes are so ferocious and inventive that they leave you gasping for breath, commends Sreeju Sudhakaran.
From the record-breaking Dangal to the divisive Bawaal, here's a look at Nitesh Tiwari's five films ranked from worst to best.
A riveting mother-son drama with a superb first half, Balan: The Boy loses some of its grip after an ambitious but uneven turn, notes Sreeju Sudhakaran.
Despite receiving poor reviews, the cast and crew of Haiwaan gather in Mumbai for a star-studded screening.
Despite a record-breaking opening day, Toxic has experienced a significant and disheartening decline in its box office collections.
Shape of Momo is a compelling drama that masterfully portrays a young woman's rebellion against societal expectations in Sikkim, offering a nuanced look at feminism, family dynamics, and the search for identity, observes Sukanya Verma.
Before Shabana Azmi tries to outrival herself in the Batwara 1947 and Awarapan 2 clash, we look at other Bollywood stars whose films released on the same day.
Haunted 3D: Echoes Of The Past has no real scares, no real acting, no real sets, no real drama, no real crows and no real 3D effects, sighs Sreeju Sudhakaran.
With Main Vaapas Aaunga as his latest release, we rank Imtiaz Ali's romantic dramas from his underrated debut in Socha Na Tha to his most recent offering of love and longing.
From Joggers Park to De De Pyaar De, these films dared to make the age gap between their unlikely lovers part of the story rather than something to quietly ignore.
By taking one of the oldest stories and finding new meaning within it, Christopher Nolan has created the most timely film of his career, asserts Mayur Sanap.
'I'm an 'industry child' and my parents were both extremely successful in the same film industry. Yet, they were helpless to ensure my success.'
Rajkumar Santoshi's best films prove that few Bollywood filmmakers could mix hard-hitting drama, action, comedy and sheer masala madness quite like him.
Suriya and Jyotika marked their 20th wedding anniversary by renewing their vows in a touching ceremony.
Ahead of Spider-Man: Brand New Day, we rank every live-action Spider-Man movie from the critically acclaimed Spider-Man 2 to the less successful The Amazing Spider-Man 2.
Samantha shares pictures from her baby shower ceremony at the Isha Foundation.
Gram Chikitsalay Season 2 returns with a confirmed connection to Panchayat universe and a more heartwarming narrative, observes Sreeju Sudhakaran.
Madhuri's mix of silly, starry-eyed, sly and sentimental doesn't miss a single beat. A flawless Triptii Dimri steals the show in a role, finally worthy of her talent, applauds Sukanya Verma.
'I gave everything I had, and I don't have anything more to give.'
You are curious about the characters and admire their bravery, and yet the drama never really cuts deep as it should, notes Mayur Sanap.
Tim Curry, celebrated for his unforgettable performances in The Rocky Horror Picture Show, Clue, and Annie, has passed away at 80, prompting an outpouring of tributes from Hollywood and fans worldwide.
Ritwik Pareek's debut feature film, Dug Dug, offers a brilliant satirical and philosophical exploration of the fine line between faith and foolhardiness, observes Sukanya Verma.
Main Vaapas Aaunga transcends its flaws to deliver a profoundly moving plea for humanity, anchored by heartbreakingly brilliant performances, observes Sreeju Sudhakaran.
Steven Spielberg's latest sci-fi offering Disclosure Day attempts to blend political thriller elements with an alien narrative, but despite strong performances and moments of suspense, it ultimately leaves viewers with too many unanswered questions and a somewhat unearned climax laments Sreeju Sudhakaran.
Triptii Dimri and AP Dhillon were spotted at the high-profile Apple launch event in California, where the tech giant unveiled its highly anticipated iPhone 18 Pro series and the groundbreaking foldable iPhone Duo.
Kattalan tries to roar like Marco with blood-soaked violence and mass swagger, but ends up as a noisy, identity-less actioner with little bite.
Chand Mera Dil flickers like an LED bulb in an artificial sky instead of a real chand, sighs Mayur Sanap.
Jackie Shroff is winsome in a role that leans on his faded charm as veteran star, notes Mayur Sanap, and there is effortless warmth he brings to Jagdish that makes even the simplest moments land.
From Bandit Queen to Dhurandhar, these Indian films pushed cinematic violence to shocking, stomach-churning extremes.
